About
A brief description of who you are and what you do.
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Write about yourself in the third person. Aim for 100 to 150 words covering the main points about who you are and what you currently do. Clear, simple language is best. You can include specialist or technical terms.
You鈥檒l be able to add details about your research, publications, career and academic history to other sections of your staff profile.
Research
Research interests
- Arts management and cultural policy; cultural economics
- Seventeenth-century English opera
- Aspects of organology, especially the early twentieth-century English recorder revival.
Current research
- A new edition of King Arthur (music by Henry Purcell, words by John Dryden), for publication in the Purcell Society Edition of Purcell鈥檚 complete works
- One or two articles about King Arthur, spinning off from the main edition
- Funding the Arts: a monograph for Routledge.
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Research groups
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Research interests
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Current research
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Describe your current research in 100 to 200 words. Write in the third person. Include broad key terms to help people discover your work, for example, 鈥渟ustainability鈥 or 鈥渇ashion textiles鈥.
Research projects
Research Council funded projects will automatically appear here. The active project name is taken from the finance system.
Publications
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Supervision
Current PhD Students
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Teaching
- Arts management, music management: 鈥淗ow the Arts Work鈥, and Southampton鈥檚 MA degree in International Music Management
- Community music: political drivers, funding, project management
- Culture and politics in later seventeenth-century 鈥淕reat Britain鈥
- Research project supervision: happy to help third-year undergraduates and postgraduates with research across a broad range of subject areas.
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Courses and modules
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External roles and responsibilities
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Biography
I teach arts management and cultural policy to students across the university, making special provision for musicians. I worked in the Arts Council鈥檚 music department for 13 years before moving to Southampton, developing national policy and spending tens of millions of pounds of public money 鈥 experience on which I continue to draw and which I am happy to share.
Two high-profile arts venues in Southampton are closely associated with the university: Turner Sims concert hall (only a few metres from our Music Department), and the John Hansard Gallery (in brand new city centre premises). Colleagues running these venues provide eye-opening lecture content for my introductory module 鈥淗ow the Arts Work鈥, and offer a one-to-one advisory service for students planning careers in the arts.
I have research interests in a number of different fields and a track record of publication in at least three: cultural policy, as you might expect, organology (musical instrument design and technology) and early English opera. I have co-edited two volumes in the Purcell Society鈥檚 complete edition of Purcell鈥檚 works (The Indian Queen, 1994; The Fairy Queen, 2009) and am most of the way through a third (King Arthur, forthcoming). I am a versatile research supervisor working with students from final-year undergraduate up to PhD on a fascinating range of projects. I encourage career-orientated research that asks and answers questions of concern to working musicians, not just to academics. I helped to set up Southampton鈥檚 MA International Music Management programme and am still a busy member the programme鈥檚 teaching team.
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Prizes
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